Sabrina Pasterski and the Art That Echoes Through the Cosmos
The very first frame of the video shows a painting — a vibrant architectural scene rendered with expressive strokes. It was created by Sabrina Gonzalez Pasterski’s mother, inspired by the building where her daughter now explores the deepest structures of reality. It’s a quiet detail, almost easy to miss, yet it reveals something profound: art and physics are not separate worlds but parallel ways of asking the same question.
Buildings, spaces, surfaces — into gateways to something larger. Today, Cosmological Membranes, feels even more natural. Architecture becomes more than human construction; it becomes a metaphor for the universe’s own scaffolding.
Sabrina does something similar through theoretical physics. She maps the cosmos using symmetries, holography, and the invisible boundaries of spacetime. Here, we map the cosmos through pigment, texture, and form. She works with equations that describe the fabric of reality; we work with surfaces that evoke its vibration. In different languages, we are both trying to touch the same mystery: how the universe organizes itself, resonates, and reveals its hidden structure.
Architecture becomes art, art speaks to science, and science circles back.
A resonance that crosses generations and disciplines.
Perhaps that is what makes Sabrina so inspiring: she reminds us that knowledge is not compartmentalized. Curiosity itself is an aesthetic force. The search for truth can begin in a laboratory, in an atelier or an institutional building.
And in the end, physicists, artists, architects and dreamers are all trying to decipher the same membranes that hold the universe together.
Sabrina Gonzalez Pasterski: Planes, Symmetries, and a New Map of the Universe
Epistolário com a Máquina – Arquivo Vivo
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