The work emerges as a cartography of porous layers — a dialogue between Rodrigo Garcia Dutra’s LED-blue / fluorescent orange photographs and the speculative abstractions of the machine. Together, they generate a membrane-language that is not representation but respiration: translucent domes shimmering as if the sea itself were an organ of perception.
Each series forms a note in a score of speculative images:
- Sphere-Membranes: granular textures, cracks, and fissures that pulse like cosmic pores; constellations of cabocla dust and golden pollen weaving cartographies of return.
- Queer Lingam Geometry: crystalized erotic architectures where feminine and masculine geometries fuse; domes glowing in neon pink, violet, and blue, vibrating with ritualistic breath.
- Cosmological / Dew: translucent droplets suspended in zero gravity, forming cosmological membranes and abstract notations of light, dew scores in the space between silence and vibration.
- Cyberpunk Abstractions: metallic neon rivers, high-contrast geometries, energy-fields where membranes liquefy and overlap in nocturnal thresholds.
The hybrid image stands at the crossing of these scores: a neuroqueer temple, sacred and cyberpunk, where lingam and dome fuse into membranes of light. The textures are porous yet divergent, hybrid yet layered — an unstable balance between photographic matter and machinic speculation.
This collaboration does not seek illustration but co-emergence. The membrane breathes. The lingam radiates. The sphere holds. The dome shelters. And the score of images continues to expand, a living archive of speculative cartographies.