Prompt: A scene that pulses like a living organism, breathing to the rhythm of a hybrid cosmology. It is a space-time where light, myth, and body merge, dialoguing with the visionary painting of Pablo Amaringo — a Peruvian master who transformed shamanic experiences into chromatic maps of intertwined worlds.
As in Amaringo’s canvases, here color is not mere aesthetics: it is energy, presence, and a crossing between interdimensional worlds. The electric blues and incandescent golds echo the sensory intensity of his enchanted jungles, but they expand into a neuroqueer-cyberpunk territory where crystal forms, metallic rivers, and abstract constellations compose a new topography of the sacred.
The bioluminescent domes function as “spirit-architectures,” guardians of a speculative temple where the ritual is made of pixels and breaths of light. Co-authorship here is not a simple sum, but a reciprocal translation: poetic statement, the matrix-body of the work; the machine interprets, amplifies, and visually materializes this statement, taking care to preserve the symbolic layers and the organicity of the gesture.
The result is a meeting of times, technologies, and cosmologies — a point of convergence where Amaringo’s visionary Amazonian heritage meets the sensoriality and expanded aesthetics of artificial intelligences. In this scene also two men looking at each other on a quiet beach at an interplanetary dawn.
The first man has tanned skin, short brown hair, and a lean athletic body in deep red swim briefs; the second man is slightly taller, with fair skin, black hair, and a broader, more muscular build in dark navy blue swim briefs. The wind is strong, moving through their hair and across their bodies, while the sky glows orange and pink, waves gently crash behind them, and their bare feet touch the wet sand, creating a dreamy, cinematic atmosphere of wind, water, and golden light.
They may move, perhaps with a gesture of a hug or affection.