Kazimir Malevich. Suprematist Composition: White on White. 1918 | MoMA 1. The Void vs. The Stratum In 1918, Kazimir Malevich presented Suprematist Composition: White on White as a liberation from the weight of the world. For Malevich, white was the color of infinity—a “free abyss” where form existed without nature. In contrast, Rodrigo Garcia Dutra’s … Continue lendo From the White Abyss to the White Fire: 1918–2025